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Hand poured · one of one

Pieces that hold the light.

Trays, dice, clocks and keepsakes cast by hand in resin with real stone and pressed flowers. Nothing here is repeated — every piece is poured once, finished by hand, and claimed in a message rather than a basket.

See the collectionAsk for something made

Poured, sanded and polished in small batches. Most pieces need a few weeks between the first pour and the post.

Her best piece, held up to the window so the light comes through it

one of one

Four kinds of making

What comes out of the workshop

Everything below is cast, finished and photographed by one pair of hands. Pick the kind of thing you are after.

A tray of dried flowers and gold flake, on a linen cloth, daylight from the side

Table & home

Trays, coasters and trinket dishes — the pieces that catch the morning light on a windowsill.

See what is finished
A dice set in a tin, one die mid-roll, close enough to read the inclusions

Dice & games

Dice sets, chess boards and domino sets, cast heavy enough to feel like something in the hand.

See what is finished
A dog tag with a stone set in it, held between two fingers

Keepsakes

Dog tags, clocks and jewellery trays — small things made to be kept, not packed away.

See what is finished
A clear piece with a full pressed flower inside, backlit so the petals glow

Preserved flowers

Real and pressed flowers held mid-bloom in clear resin, so they never get to fade.

See what is finished

Door one · a gift for someone

A piece only they will ever have

Pick from what is finished and it goes out wrapped, with a card in your words if you want one — or tell me the person, the occasion and the stone they would choose, and it gets made for them. The stones keep their old readings here: moonstone for a new start, rose quartz for softness, amethyst for a quiet head. That is the part most people are really buying, even when they say they just want something pretty.

See what is finishedAll four doors
A finished piece in its box, tissue and a dried flower on top, a hand-written card beside it
  • Wrapped by handTissue, a dried flower, a card. Nothing leaves here in a plastic bag.
  • Posted straight to themSend their address and a note; your words go on the card, not mine.
  • Lead time, honestlyA finished piece goes out in days. Made to order is three to four weeks, so say the date first.

Door two · your own table

The thing the room turns on

Trays, coasters and trinket dishes, poured thick enough to lift without flexing. They are for a hall table, a coffee table, a windowsill — pieces that sit out and get used rather than boxed and kept. If the room already has a colour in it, send a photograph of it and the pour can be matched to that.

See trays and dishesAll four doors
A tray and two coasters on a dining table set for two, late afternoon light across the grain
  • Sizes statedEvery tray and dish lists its measurements, so nothing arrives smaller than it looked.
  • Wiped, not soakedA damp cloth, no dishwasher. It is resin and stone, not pottery.
  • Sets and pairsTwo coasters or four, matching or deliberately not.

Door three · the table you play at

Dice with weight in them

Sets of seven, chess boards and dominoes, cast solid and finished until the edges go glassy. They are heavier than the set in the box the game came in, and they land like it. Ordering for a group? Every set can take the same colourway without being identical — the stone is never the same twice.

See dice and boardsAll four doors
A full set of seven fanned out beside a character sheet, one d20 showing a twenty
  • Sets of sevend4 through d20, in a tin that keeps them together.
  • A note on balanceCast solid and sanded flat, which is close to fair for a table. This is not casino-tested, and anyone who needs that should not buy dice.
  • Group ordersOne colourway across several sets, poured in the same batch so they belong together.

Door four · something you are keeping

Pieces that hold what cannot be replaced

Pressed flowers from a bouquet, a wedding, a funeral. A pet's tag. A clock for a room that needs one. Send the flowers and they come back inside the piece, in the shape they dried in. If they are already pressed that is easier; if they are fresh, tell me before you post them. Nothing on this page is made twice, which is the whole point.

Talk about a keepsakeAll four doors
A wedding bouquet piece held against plain linen, the petals still legible through the resin
  • Flowers by postFresh or dried. Pack them flat between paper; they get pressed on arrival.
  • One bloom, one pieceA flower that goes into a piece is gone. If it cannot be replaced, say so first.
  • Dates matter hereAnniversaries and services have a day attached. Say it before anything is poured.

Why nothing repeats

One of one is not a slogan. It is how resin behaves.

  • The stone decides. No two pieces of rough have the same pattern, so no two pours can land the same way.
  • Flowers are pressed once. A bloom goes into one piece and it is gone — that is the whole idea.
  • Small batches only. Moulds are filled a few at a time, finished by hand, checked against the light.

The stones

What the stone is, before what it means

Every piece carries a stone. Below is what each one actually is and how it behaves in resin; the second line is the old reading, which some people come for and anyone else can walk past. If you have a stone of your own — from a place, or from someone — send it, and it can go into the piece instead.

Moonstone

Feldspar, layered thin enough that light scatters between the layers. The moving white sheen is the stone itself, not a coating.

Read as new starts, tides and beginnings.

Amethyst

Quartz coloured through by iron — deepest where it sits thickest, palest at the edge of a pour.

Read as a quiet head.

Rose quartz

Pale pink quartz, milky rather than clear, so it goes soft in small pieces and reads stronger in a tray.

Read as softness, and warmth toward someone.

Clear quartz

Clean quartz, polished until it moves light like water. The one stone that looks the same in any colour of resin.

Read as clarity, and light itself.

From mould to post

How a piece is actually made

Four stages, no shortcuts. This is why a piece takes weeks rather than days, and why the edges look the way they do.

  1. 01

    Choose

    A shape, a stone, a colour that means something to you.

  2. 02

    Pour

    Two parts mixed by hand, the stone set where it will be seen, bubbles worked out.

  3. 03

    Cure

    Days under cover, untouched. Nothing can be hurried here without ruining it.

  4. 04

    Finish

    Flattened, sanded through the grits, polished until the edges go glassy.

Found something that feels like yours?

Every finished piece is claimed in a message, not a basket — one of one means two people can want it at once. Tell me which piece you are looking at and I will hold it for you.

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Tell me which piece, and I will set it aside and send you the shipping cost.